In her poem, Lynn Kong uses vivid language to reflect on and amplify the details in Paul Klee’s painting “Fish Magic.”
Based on a Paul Klee’s Fish Magic
It is the mirk of stained glass that glows by a slice
Gaunt elegies speak of a desolation beyond the edges
Generation upon generation–genealogies betray the birth
The ambiguity of a barren clock transfixed at IX:
Even the fish await the tearing of the veil.
Hands clasp dust. Ash taints scale.
Threads of exile weave into a silent cloak.
Only time will tell.
Lynn Kong is a sophomore at Cary Christian School. She is co-president of the Holocaust Literature Club there. She adores Dostoyevsky and Flannery O’Connor, and just about every line of epic poetry. Part of her is always lost in Amsterdam.
Visual Arts by Rudy Falagan
In By The Sea, Francesca Ciampa illustrates the beauty of the seashore during the evening. She uses vivid imagery to broaden the reader’s senses.
Above, dark wood planks;
Slats, sticky with resin, below;
Sky and sea beyond;
The sun moving away, around;
Shadows playing behind its back,
Dancing in the gray half-light of dusk.
Dark fuzzy shadows growing above;
Below, a creaky chair rocking lightly
On two curved feet;
Two luminous green eyes,
Wicker groaning under four paws;
Darkness dancing on a porch
Half-hidden in the gray-black cloak of dusk.
Gray light rippling on the bay;
Glimmering on its silky surface,
Soft and cool as smooth satin.
A boat’s rhythmic light throbbing:
White, and lonely as an owl’s hoot, and
Night looming behind gray fur,
Growing to consume the pale dusk.
Francesca Ciampa is a junior who is a fan of all music styles, and is continuously writing snippets of poems late at night. Her poetry and art have been published in the Glass Kite Anthology and the Cicada Magazine.
Art by Yixuan Luo