Foreign Policy

Hey, you. Yeah, you. Stop the car. What are you doing?

You’re in America. You shouldn’t be here. What, you think this is some sort of joke? We know who you are, and we don’t want you here.

Get out of the car. I said, get out of the car. You heard me. What’s the matter? You don’t speak English? You understand me good? Get out. Now.

What have you got there? Bags? What’s in the bags? Set them down here. Of course they’re your bags. I don’t care how long you’ve had them. I don’t care if they’re special. Don’t give me that look. Look at your jewels. They’re fake. You think I’m stupid? In America, you could buy this piece of junk for five dollars.

Open them up. Lipstick, bracelet, books in your language—what is this trash?

What’s this? A wallet? Are these supposed to be dollar bills? How do you fit all those bills and quarters in there? And who are these people in the back seat? Are those your thug friends? They look awfully small. You say they’re your children?

Quit your begging—I’m not going to let you go. You poor people are pathetic; you’re always begging us to feel to sorry for you.

Show me where you’ve got it. You know what I’m talking about. I need to see your green card. Green card. Your proof of citizenship. Give it here. I said, give it here. I don’t want to hear what you have to say about this. You have no say; you’re in America, and you follow our rules.

Just as I thought—you have no green card. You’re no citizen. You have no right to be here, filling our classrooms with your kids. You’re not allowed to contaminate our land with your people. You’re just an illegal alien. Illegal.

I am neither a racist, nor a pre-judger. I am a proud officer, and I am rightfully doing my duty in keeping this country as American as apple pie. Now put your hands behind your back—you’re under arrest.

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Home

Visual art by Seung Min Oh.

You’re new here. You live in the blue house. With the yellow flowers on the freshly shorn lawn and white shutters. And the Japanese trees. Your mother bought it because she thought it looked like the Brady house. It doesn’t. She was wrong. You’ve watched that show a thousand times. . It looks nothing like the Brady house. You like the Brady house. You hate this house. You think it’s tacky. You think it looks like it belongs in some coloring book about the 60’s. Tacky, Tacky, Tacky.

Your room has white lacey curtains. The window looks in to Suzie Kincaid’s house. You can see her older brother’s bedroom. The walls have pictures of athletes and playboy bunnies on it. He sits there and reads things on his computer. You watch him sometimes. Just sit on your bed, on your computer, and watch him on his bed, on his computer. You never allow yourself to be naked in your room.

Your kitchen has pink and white checker tile. Your little sister crawls across it. Her fat little fingers grab at the grout. Your mother reaches down to scoop her up. She drools on her your mothers shoulder, ruining her silky blouse. Your mother pouts her large pink lips at the baby. She clicks and gurgles and makes like an idiot. You watch in disgust over your bowl of cheerios and milk. Stupid woman.

You wish you could move back. Pack up all the boxes, turn the car around and go back. You don’t like anyone here. They all have big dogs that bark at the mailmen, slobber and leave their mark on your lawn.

You don’t like the dogs or the people. They are all so obnoxious. You want to go back, you tell your mother, but she tells you this is home. No more apartment building where the third step on the third flight of stairs squeaked. No more hearing the comforting screech of police cars and ambulances outside of your window. No more having to look both ways when crossing the street, because if you didn’t it could be bloody. Now you live in a one-story house. Now the air is always heavy with silence .Now ,you could lie in the middle of the street, sleep there if you wanted to, and you wouldn’t get hit. You want to go back. This was boring you to tears. Your mother said it was what the family needed. Something stable and reliable, a place where there would always be home cooked dinner on the table and then she made another reference to the Brady’s. This is nothing like the Brady’s. You’re not blonde and there aren’t eight of you plus a maid under one roof.

The cement out front has been marked forever. You wonder who Jeremiah and Tammy were. And if they ever lasted. They probably cracked as soon as the cement did. The sidewalk has cracks and tiny weeds fighting their way up through them. They fight for sunlight and the overflow of the hose. You spoke to him once here. In this exact spot. Where the freshly mowed lawn meets Jeremiah and Tammy’s sidewalk. He was playing basketball. Tripping over his overgrown feet. He lept and threw the ball toward the hoop and its ratty net. He watched it in anticipation. His hands out stretched, hanging where the ball had left it. The ball hit the backboard. It rolled from his yard. He followed it, and noticed you. He grunted a hello, picked up his ball, started at your chest and then walked away. You said nothing. You didn’t know what to say.

You sit in the backyard on the tire swing with the cicada’s singing in the warm summer air. You kick your legs in front of you. Kick and retract, kick and retract, till you swing full force toward the suburban moon.

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Spring Oak Road

Visual art by Mai Matsubara.

I was walking upon a paved road with lots of cracks when a man approached me. He was dressed in a chartreuse suit with a large valentine tulip in his lapel. He asks me if I knew him.  I said I didn’t believe I did. He shook his head at me.  He told me he was my father. He was not my father. My father lived in a small house on a hill with a wood fire stove and rocking chair.  The man corrected me.  He said I had a sister by the name of Beatrice.  I told him I did not. He apologized, tipped his hat to me and kept walking. He walked up to the next girl and told him he was her father. I laughed out loud.

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Sand Screamer

Visual art by Han Byel Kang.
In the barn: 	bare-chested, teeth clenched,
shaved scalp opens to the sky-
	Brain falls out, unraveling yarn
	across the scattered hay.
If I may bother you for a light,
	this dry and dead grass		will become
		the nature of	my chapped body.
										I dig:
	Tearing open my abdomen like a stuffed animal.
Sand pours out of me, tears
of unpolished glass for all the cuts,
		abrasions of delicate songs. Cavalier
			who breathes but has no lungs.
pig blood on the knuckles,
nail varnish for the senseless.
doves of the dirt,
ecstasy for the hurt.
It keeps coming:
		fire-white crystalized		infections
				tampered with by disintegrating words.
	mounds turn to mountains of sand.
	Pucker the whites of my eyes.
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