Kristina Marie Darling & Carol Guess. X Marks the Dress: A Registry. 2013. 100 pages. $15.15. ISBN: 0985919159.
Kristina Marie Darling & Carol Guess bring a wonderful collection of poems in their book X Marks the Dress: A Registry. These poems explore various themes, such as relationships, identity, and love, but the authors manage to write them in such a way that the collection reads like a short story. Darling is a recognized author of seven other books and is the winner of the Helene Wurlitzer Foundation Award; Guess has published another twelve books, some of which were nominated for the Lambda Literary Award. This collaboration resulted in one of the most interesting and catching poetry books I’ve come across this year.
From the very first poem, we are transported into a vintage, pink world that gives the sense of being part of a fairy tale. However, as one moves on, we realize that this is more of a bittersweet story, like what happened before the characters could live happily ever after. We get to witness scenes previous to the wedding and how they affect the vision we have of ourselves, the experience of becoming parents, the fights the couple has, the struggles we go through trying to regain our sense of identity. The authors do a perfect job keeping the readers interested, drawing them into a knot of experiences and emotions that get more and more complicated. While reading this, I found myself feeling nostalgic, as if I was looking at the wedding album of someone I knew very well, knowing that their lives weren’t exactly a perfect fairytale, but that there is still a bittersweet love between them. This is a book that can be enjoyed by anyone, because even if the reader is more into fiction stories than poetry, X Marks the Dress: A Registry, can be read as a plain, sweet short story.
One of the most interesting aspects of this book was the experimentation with various formats to take us on this journey. Filled with prose poetry, appendixes, footnotes and line breaks, it creates a very unique and creative reading experience. For example, the poem “A History of Wedding Invitations: Glossary of Terms,” just consist of various definitions of many concepts that surround the idea of weddings; however, they are not “formal” definitions that we would find on a dictionary: the writers here played with the concepts they have been working on the book so far, adding their own original ideas to these concepts, making it fun to read. Or in their poem, “Appendixes,” where it just consists of footnotes, but there’s not text at all. Yet, as we read the footnotes, we can have an idea of what the “invisible poem” would be about.
Even when the formatting is so varied, it does not make the poems hard to follow, which comes back to my earlier point that this book can be also read as a short story. This is the perfect book to have a date with on a weekend. This book must definitely be part of your bookshelf!