Aquarius Rising

Blades of grass douse your socks

in cold, mud-filled water

 

Moonlight pours over the sea,

waves dancing in the spotlight

 

Your eyes follow the moonbeam

up to its origin and you stare, bewildered

 

Arm stretched, you trace Orion’s belt,

Cassiopeia and Ursa Minor too

 

You become entranced as you

piece together the story of the stars

 

Lungs fill with air but you stop,

unable to articulate the sensation

 

Shocked by the familiarity

you immerse your senses once more

 

The reminiscent feeling permeates

it bathes in each crevice of your fist

 

You begin sinking, submerging yourself in

what was believed to be unknown

 

And as ambiguity saturates your soul

the droplets caress your skin

 

Strung together by magic, by history

a story told by time

 

Kaylee Morris is an 18-year-old senior in high school at the Seattle Academy of Arts and Sciences who plans to study Environmental Analysis at Pitzer College next year. She is a passionate jazz vocalist, dancer, actress, and artist. Morris has always enjoyed creative writing but just began focusing on poetry this year while taking a Creative Writing class under the instruction of poet Lauri Conner.

Visual Art By: Cherry Guo 

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when i talk about the moon

i do not mean/ the sweet crescent-shaped thing in the sky/ from the cartoons we used to watch on channel twenty-four/ that glowing thing the princess drifts to after she swallows the magic pills/ and becomes immortal/ after the bad guy breaks into her home and gravity breaks/ like window pane/ i say moon and mean the moon the old poet bids his brother to look at on the nights they are not together/ the nights the moon cracks into two faces and falls out of/ old vending machines/ i saw the moon hanging by the skin of my heart the second time i broke it in the sink/ trying to make it paler than it is/ in the stranger who watched me watch him flit in and out of the subway window/ as it shudders and tilts to one side & there’s one night every year when my mother does not cook dinner/ she stays in her room with the door closed and watches the moon rise and set on the back of her eyelids/ i imagine it must look so peaceful/ and so white like my grandfather when he entered the room in an expensive suit/ and came back out in a metal ashtray/ i saw the moon sitting cross-legged on his femur when they pulled him out of there but nobody else did/ because there was so much water in their eyes/ dandelions bloomed from their sockets & i watched them get smothered/ by hands on which their carnage left an endless trail of ruined tutus/ i wrote a poem on my hand today and/ it too blossomed to the size of the moon so i/ get it if you don’t want to hold onto my hand anymore when the subway/ shudders/ i promised someone i would miss them today you see/ but i’m not sure what i mean when i say these things/ like when i say immortality i do not really mean the one who hogs all the seats/ who chews with his mouth open and gets off one stop too late/ anyway it is getting late in the station now and gravity/ is snapping each femur as the sidewalk/ bends/ so here/ take my swollen hand and what fingers you can still find while/ i hail a taxi and pray that it arrives before the streetlights come on/ and i explode into one thousand dandelions

 

*Cultural note: The beginning of this poem references a Chinese folktale. A princess and her husband are gifted with pills that make them immortal and enable them to fly to the moon. They promise to eat the pills together someday. One day, a jealous man breaks into their home and forces the princess to hand over the pills, but, in the moment, the princess swallows all the pills so the man will get none. She flies to the moon where she lives forever without her husband.

 

Henie Zhang is a high school senior from Shanghai. She is the editor-in-chief of the Zeitgeist Literary Magazine and can often be sighted fiddling with a camera or trying to keep her plants alive with debatable success. 

Visual Art By: BaS

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Two Poems by Nathan Lee

the king’s road

i don’t want this poem
to ache. i want to think

about that dusk as tenderness
instead of something with       teeth.

let me just tell you
about the asphalt, the white sycamores,
the silver car engines singing a river of light.

i was standing on the sidewalk,
breath dripping onto the dark earth, thinking

about the red scrapes of road burn
on tanned thighs.       how a car crash

ing into a boy will
smash his head and
snap       his spine into match

sticks, maple leaves, so many scars like
tire tracks smeared on concrete.

but
there was the cool evening breeze

and someone’s golden lab, his limbs joyfully askew,
is chasing his ratty tennis ball near the edge

of the road. that’s
this road going nowhere,

this road leading my body home, this road shattering
into a tunnel with a prism of color       at the end.

ignore
the bitter taste of       gasoline. i’ll tell you instead

how summer lingered in the air thick

enough to bite.

how through
the slender green pines across the street

i watched the sun paint
a watercolor goodnight.

Worm Moon

Imagine this: the stars
in your rearview mirror
are closer than they appear.
In the spring dusk,
the ripe apricot moon
kisses the asphalt.

Those stars, that moon,
the same bright fires
that lit up the night
when we tore ourselves
from the water of history. Now,

nothing is real but
the wind in your lungs
from the open windows,
the lilac freeway speeding by.

You grasp your breath in your palms
as it hums a holy melody;
your heart a bass beat
through the radio. Tell me again

how memories are anything
but half-remembered stories;
how love is the opposite of forgetting.

And oh, to be hand-in-hand and balancing
on the tender edge of desire.

Tonight, you sit in your car and let
the songs you loved back in middle school
blast out the open windows.

Tell me how you can still sing along.

Nathan Lee is an emerging transgender poet. He is currently a high school senior at Monta Vista High School in Cupertino, California. His work is forthcoming in Polyphony Lit and Lambda Literary’s collection Writing Out of the Closet and has been published in Celebrate Creativity, a local anthology.

Visual Art by: Johnson Anthony

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